We sat in the adjacent kitchen in the dark--for we dared not strike a light--and ate bread and ham, and drank beer out of the same bottle. The curate, who was still timorous and restless, was now, oddly enough, for pushing on, and I was urging him to keep up his strength by eating when the thing happened that was to imprison us.

"It can't be midnight yet," I said, and then came a blinding glare of vivid green light. Everything in the kitchen leaped out, clearly visible in green and black, and vanished again. And then followed such a concussion as I have never heard before or since. So close on the heels of this as to seem in- stantaneous came a thud behind me, a clash of glass, a crash and rattle of falling masonry all about us, and the plaster of the ceiling came down upon us, smashing into a multitude of fragments upon our heads. I was knocked headlong across the floor against the oven handle and stunned. I was insensible for a long time, the curate told me, and when I came to we were in darkness again, and he, with a face wet, as I found afterwards, with blood from a cut forehead, was dabbing water over me.

For some time I could not recollect what had happened. Then Then things came to me slowly. A bruise on my temple as- serted itself.

"Are you better?" asked the curate in a whisper.

At last I answered him. I sat up.

"Don't move," he said. "The floor is covered with smashed crockery from the dresser. You can't possibly move without making a noise, and I fancy THEY are outside."

We both sat quite silent, so that we could scarcely hear each other breathing. Everything seemed deadly still, but once something near us, some plaster or broken brickwork, slid down with a rumbling sound. Outside and very near was an intermittent, metallic rattle.

"That!" said the curate, when presently it happened again.

"Yes," I said. "But what is it?"

"A Martian!" said the curate.

I listened again.

"It was not like the Heat-Ray," I said, and for a time I was inclined to think one of the great fighting-machines had stumbled against the house, as I had seen one stumble against the tower of Shepperton Church.

Our situation was so strange and incomprehensible that for three or four hours, until the dawn came, we scarcely moved. And then the light filtered in, not through the window, which remained black, but through a triangular aperture between a beam and a heap of broken bricks in the wall behind us. The interior of the kitchen we now saw greyly for the first time.

The window had been burst in by a mass of garden mould, which flowed over the table upon which we had been sitting and lay about our feet. Outside, the soil was banked high against the house. At the top of the window frame we could see an uprooted drainpipe. The floor was littered with smashed hardware; the end of the kitchen towards the house was broken into, and since the daylight shone in there, it was evident the greater part of the house had collapsed. Con- trasting vividly with this ruin was the neat dresser, stained in the fashion, pale green, and with a number of copper and tin vessels below it, the wallpaper imitating blue and white tiles, and a couple of coloured supplements fluttering from the walls above the kitchen range.

“It is angelic—it is delicious of you to have come!” she said. She loved Lords; she loved youth, and Nancy, dressed at enormous expense by the greatest artists in Paris, stood there looking as if her body had merely put forth, of its own accord, a green frill.

“I had meant to have dancing,” said Clarissa.

For the young people could not talk. And why should they? Shout, embrace, swing, be up at dawn; carry sugar to ponies; kiss and caress the snouts of adorable chows; and then all tingling and streaming, plunge and swim. But the enormous resources of the English language, the power it bestows, after all, of communicating feelings (at their age, she and Peter would have been arguing all the evening), was not for them. They would solidify young. They would be good beyond measure to the people on the estate, but alone, perhaps, rather dull.

“What a pity!” she said. “I had hoped to have dancing.”

It was so extraordinarily nice of them to have come! But talk of dancing! The rooms were packed.

There was old Aunt Helena in her shawl. Alas, she must leave them— Lord Gayton and Nancy Blow. There was old Miss Parry, her aunt.

For Miss Helena Parry was not dead: Miss Parry was alive. She was past eighty. She ascended staircases slowly with a stick. She was placed in a chair (Richard had seen to it). People who had known Burma in the ‘seventies were always led up to her. Where had Peter got to? They used to be such friends. For at the mention of India, or even Ceylon, her eyes (only one was glass) slowly deepened, became blue, beheld, not human beings—she had no tender memories, no proud illusions about Viceroys, Generals, Mutinies—it was orchids she saw, and mountain passes and herself carried on the backs of coolies in the ‘sixties over solitary peaks; or descending to uproot orchids (startling blossoms, never beheld before) which she painted in water-colour; an indomitable Englishwoman, fretful if disturbed by the War, say, which dropped a bomb at her very door, from her deep meditation over orchids and her own figure journeying in the ‘sixties in India—but here was Peter.

“Come and talk to Aunt Helena about Burma,” said Clarissa.

And yet he had not had a word with her all the evening!

“We will talk later,” said Clarissa, leading him up to Aunt Helena, in her white shawl, with her stick.

“Peter Walsh,” said Clarissa.

That meant nothing.

Clarissa had asked her. It was tiring; it was noisy; but Clarissa had asked her. So she had come. It was a pity that they lived in London—Richard and Clarissa. If only for Clarissa’s health it would have been better to live in the country. But Clarissa had always been fond of society.

“He has been in Burma,” said Clarissa.

Ah. She could not resist recalling what Charles Darwin had said about her little book on the orchids of Burma.

(Clarissa must speak to Lady Bruton.)

No doubt it was forgotten now, her book on the orchids of Burma, but it went into three editions before 1870, she told Peter. She remembered him now. He had been at Bourton (and he had left her, Peter Walsh remembered, without a word in the drawing-room that night when Clarissa had asked him to come boating).